New in Adobe Camera RAW 17.3

Colin Smith

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New in Adobe Camera RAW 17.3 April 2025 – Landscape masks and more

Adobe Camera RAW (ACR) got a couple of significant new updates. Notably they are Landscape masks and Reflection removal working on other file formats than just RAW. Photoshop and Lightroom got updates too and I have tutorials on those. I’ll link at the bottom. Remember, for the most part, the Lightroom tutorials will also work on ACR as they share the same processing engine. Reflection removal is only in ACR and not in Lightroom at this time.

While many Photographers love to use Lightroom, many prefer to use Bridge and Camera RAW. This is probably more common with designers, but either way, they are great options. I’m going to give you 2 examples of each feature here so you can see a simple and more complex example. There is more detail on the video including doing the edits and adjustment live for you to follow along.

Enabling ACR and the new Features

In this case, we are going to launch ACR from Bridge. We can do it from Photoshop too, but I want to open multiple images at once, so Bridge is the way to do it. (Bridge is a free APP that comes with Photoshop).

Adobe Bridge with several raw photo thumbnails selected, ready to open in Camera Raw 17.3

 

Click on the thumbnails and right-click

Choose Open in Camera RAW,

Open in Camera Raw chosen from the right-click menu on selected thumbnails in Adobe Bridge

 

ACR will now open. If you are going directly from Bridge, Photoshop doesn’t even need to launch.

Enabling New features

Click the gear icon at the top-right.

Camera Raw 17.3 open with a TIE fighter model photo, showing the gear icon at the top right

 

Under Technology Previews, turn on the check box. New ai Features and Settings Panel.

You will need to turn this on for REFLECTION REMOVAL to work. Landscape Masks will still work without it.

Restart Photoshop for this to take effect.

Camera Raw Preferences Technology Previews with the New AI Features and Settings Panel checkbox

 

Landscape Masks

New Landscape masks use ai to detect different parts of your image, things like mountains, water, trees, buildings, natural and artificial ground, sky, buildings etc. It will automatically build the masks if these features are detected in your photo. Works similar to the existing select people. It saves you time making selections and allows you to isolate different parts of a photo to do edits on those regions individually.

Let’s start with this image.

Lake photo in Camera Raw 17.3 with forested shoreline, clouds and a dark reflection before edits

Click on Masks

You will see landscape under Subject, Click on Landscape.

Masks panel in Camera Raw with Subject, Sky, Background, Landscape and Objects options

 

You will see a list of features detected in your photo

Landscape Mask Options in Camera Raw listing Sky, Mountains, Water and Natural Ground

 

As you roll over each, you can see it highlighted in red ion your image.

Check all the boxes for the masks you want to create.

Make sure the bottom option Create n separate Masks is selected if you want individual masks, You usually do.

Click create

Mountains highlighted in a red overlay on the lake photo while choosing Landscape mask options

 

The masks will show up in the masks panel

Click the mask to work with. Let’s start with water.

Camera Raw masks panel with Sky, Mountains and Water masks created, Water selected

 

Make your adjustments

Camera Raw Light sliders for the water mask, Exposure +1.00, Highlights -51, Shadows +30

 

See the water is more visible now.

Lake water more visible after the Camera Raw water mask adjustment, showing rocks below the surface

 

Choose another, mountains

Mountains mask selected in the Camera Raw masks panel, with a New Brush added to it

 

TIP: Don’t Gert hung up on the names of the masks. Even though you may not consider this a mountain doesn’t matter, you know the area you are going to adjust.

As we make the adjustment we are able to bring out the trees on the shoreline.

Lake photo in Camera Raw with the trees on the shoreline brightened using the mountains mask

 

Finally, adjust the sky. That saved a lot of time and it’s a big improvement over the original. (before you ask, “why didn’t you just turn up the brightness on the whole image?” watch the video and you will see why.

Sky mask adjusted in Camera Raw, finishing the lake photo with brighter clouds and blue sky

 

Let’s try a tougher example.

Wooden jetty stretching into a clear mountain lake, a tougher example for landscape masks in Camera Raw

 

Make the mask as we did previously.

Camera Raw masks panel with Sky, Mountains, Water and Artificial Ground landscape masks

 

A quick adjustment on the water and mountains, what a difference!

Jetty photo after quick water and mountain adjustments, the lake now clear and green

When we look at the artificial ground, the mask didn’t get it fully.

Artificial Ground mask shown as red overlay on the jetty, missing part of the walkway

 

Click on the mask and choose add>Select objects

Add menu in the Camera Raw masks panel with Select Objects highlighted for the Artificial Ground mask

 

make a scribble selection

Scribble selection painted in red over the jetty walkway with the Select Objects brush

 

this adds to the mask and we are good to go.

Whole jetty covered by the red Artificial Ground mask overlay after adding the scribble selection

 

A little adjustment to the jetty and we have much improved image showing the beautiful clear water in upstate Washington. YES! the water really is that clear up there, it’s stunning.

Finished jetty photo in clear turquoise lake water in Washington, edited with Camera Raw landscape masks

 

Reflection Removal, the update everyone was waiting for

No hype, I’ve received so many messages from many of you on this. Reflection removal is great, but it only used to work on certain types of RAW files. Now it works on many file types including jpg and TIFF. Now, IMO, it works better on Raw files, as you can see from my previous tutorial on reflection removal. But it works really well still and is a game changer.

Here’s a simple once to start.

This is shooting through display glass at San Diego Comic-Con. Which you may not notice defined reflections, this is obviously suffering from glare.

Captain America statue photographed through display glass at San Diego Comic-Con in Camera Raw

 

Choose The eraser tool

Click on the remove tool (also an eraser)

You’ll see Reflections.

Camera Raw Remove panel with the Eraser tool and Distraction Removal options for Reflections and People

 

Click, apply

Reflections option in Camera Raw Distraction Removal with Apply checked and the amount at 100

 

And boom! Reflections gone.

Captain America statue after Camera Raw reflection removal, the display glass glare gone

 

Compare to original again.

Original Captain America statue photo before reflection removal, hazy with glare from the display glass

Lets use a tougher example.

 

TIE fighter model in a glass display case with strong reflections, a tougher reflection removal example

 

Here we have applied reflection removal.

You can adjust the amount of reflection removal

TIE fighter photo in Camera Raw after reflection removal, with the Reflections amount slider

 

If you move the amount slider to 0 you will see the before image.

Reflections amount slider set to 0 in Camera Raw, showing the original reflections on the glass

 

You can go the other way and reduce the image and show more of the reflection.With the slider all the way to the left, we only see what was removed the reflection on its own.

As I mentioned earlier, this still seems to work better on Raw images. But it still work well.

In this situation, it couldn’t tell the difference between reflection on the glass, and reflection on the glass of the model. So it removed the interior of the model too.

Reflections slider pushed the other way, showing only the reflection and the lost detail in the window

 

Just for fun, I’ll spend less than 2 minutes on this to see how we can make it better using the Photoshop tools. (This is why you can’t depend 100% on ai, you still MUST learn Photoshop)

TIE fighter after reflection removal in Camera Raw, with the cockpit window interior removed

Here I masked the inside of Vader’s Tie Fighter with the original to bring back the interior. (About 30 seconds work).

Close up of the TIE fighter cockpit with the interior masked back in from the original in Photoshop

 

I was asked a few times, if I ran the reflection removal again, would it remove more of the reflections.

The answer is no. ACR didn’t see any more reflections.

After about a minute of applying the selection brush to the top and the center of the 2 wings, and then using Generative Fill we get an acceptable image.

Finished TIE fighter display photo after reflection removal, masking and Generative Fill in Photoshop

 

My overall impression of these new features is positive and good time savers. The masks on some subjects weren’t great around the edges and occasionally I found objects being included in masks where they didn’t belong. I do hope this will improve over time, but I’ll be using these tools a lot.

I hope you found this useful and enjoy these new features,

Check out my other tuts on this Photoshop, Lightroom and ACR Feature Drop here:

7 Favorite new features in Photoshop 2025 April update

Auto Landscape Masks

Adjust Colors

Reflections Removal

Auto Selections | Auto selections on difficult images

Select details

See you the CAFE!

Colin


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3 comments

  1. Michael Breskin

    Thanks very much Colin:
    As a retired New York Advertising Photographer, I am now shooting landscapes.
    The new masking feature you demonstrated in Lirghtroom is really great and a
    welcomed feature.
    I will be happy to use this new feature in LightRoom as soon as I can build a new
    Mac-Windows work station as mine is quite old from 2017.

    Thanks,
    Michael Breskin

  2. Paul Sparrowham

    I don’t know what I’m doing wrong. Every time I try out the remove reflections feature in the latest version of PS, my image becomes covered in pixels and artefacts. I import RAW images from my camera directly into Apple Photos. Export them later to my desktop so I can open in Camera Raw and it does it every time. A pixelated mess! Any suggestions?

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