4 levels of background blur in Photoshop, ultimate Blur background tutorial

Colin Smith

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Try these 4 levels of background blur in Photoshop

There are many ways to do things in Photoshop! But they are not all equal. This isn’t just a fun challenge, its a very in depth tutorial on different ways to blur the background of a photo in Photoshop

In this Photoshop tutorial, you will learn 4 different ways to blur the background in a photograph. Find out how advanced you are, how far can you go? For some people, the pro method may be too much work, then choose one of the other methods. These aractually a 5th method hidden in here .

Level 1. The most simple way to blur the background in a photo. (beginner)

Here is the photo I’ll be using for this entire tutorial.

The photo I’m using is from Kateryna at the free collection on Adobe Stock. (Download it for yourself and follow along).

Red-haired woman in a white tulle gown on a brick path between tall green hedges

Choose the object Selection tool in the toolbar.

Object Selection Tool active with Select Subject in the options bar

 

Click select Subject

Select Subject button in the options bar

Now the woman is selected

Marching ants around the woman in the white gown

 

We need to swap the selection so everything but the woman is selected.

Select>Inverse or use the shortcut: Press Cmd+Shift+I on mac, Ctrl+Shift+I on Windows (Written Ctrl/Cmd+Shift+I from now on).

Selection inverted so the hedges and path are selected

 

Lets add the blur

Filter>Blur>Gaussian Blur

Gaussian Blur chosen from the Filter Blur menu

 

Adjust the amount of blur to suit your tastes.

Gaussian Blur at 17.6 pixels blurring the hedges behind the woman

 

Press Cmd/Ctrl+D to deselect.

A couple of notes on this method. I wanted to show the most basic way possible. It’s best to put the woman on her own layer, so that we have more flexibility. (In Level 2 this is shown).

This isn’t a great result for 2 reasons,

1. The ground under the woman’s dress is blurred and looks fake. If this was cropped and not a full body, that wouldn’t matter.

2. You can see a halo around the woman where the edges were blurred. Even if she was on a separate layer, this would happen. Most Photoshop blur techniques I see suffer from this, even the built-in Action in Photoshop for Adobe.

Simple blur result with a halo around the woman's edges

 

Level 2. Getting a Believable result. (Intermediate)

In some ways, I think 2 and 3 could be switched around, as 3 is easier to do, you judge the results.

Use select subject as we did in the previous level to select the woman.

Woman selected again with Select Subject for level 2

 

This time, Press Ctrl/Cmd+J to copy her to a new layer.

Woman copied to her own layer on a transparent background

 

This keeps the original photo as the background and copies just the woman to the top layer.

Layer 1 hidden above the Background in the Layers panel

 

Click the eye, to hide the woman on Layer 1

Click on the background layer to make oit active. You won’t see anything different on the image as you do this.

Ctrl/Cmd+Click on the Thumbnail on Layer 1 to lead the selection.

Background should still be active.

Background layer active with Layer 1 hidden

 

We have loaded the selection.

Selection of the woman loaded on the background photo

 

Choose select>Expand and enter 3. This makes the selection a little bigger (Shown on the video).

Choose Edit>Fill (or press Shift+Delete / Shift+Backspace on Windows to open the FIll dialog box)

Change contents to Content aware and click ok.

Fill dialog set to Content Aware over the selection

 

Its should completely, or mostly remove the woman. If it looks ghosty, thats fine. We are removing the solid edge to avoid the fuzzy outline (halo) we got in Level 1.

Hedge garden path with the woman removed, leaving a faint ghost

 

Show Layer 1 (click the eyeball).

Layer 1 turned back on above the filled Background

 

You should see something that looks like the original image. But we are ready for the blur now.

Woman back on the path, looking like the original photo

 

With Background selected>

Choose Filter?Blur Gallery>Field Blur

Field Blur chosen from the Filter Blur Gallery menu

 

You will se a pin. As you drag the outer circle you can adjust the amount of blur.

Notice, no halo!

But the blur at the feet is still off. We will now fade the blur.

Field Blur pin blurring the hedges behind the woman

 

Click near the bottom of the dress to add a second pin.

Second Field Blur pin added near the bottom of the dress

 

Reduce the blur to zero. Tip Ctrl+Double click on the pin to quickly set it to zero.

Close-up of the bottom pin set to zero blur at the hem of the gown

 

Now we have a believable result.

Two Field Blur pins on the photo for a gradual falloff

 

Change the fall-off by moving the top pin closer of further from the bottom one.

This is a result that we can use and is a quick technique that I use often.

Believable level 2 background blur with the path sharp at the woman's feet

 

Level 3 Lens Blur in ACR (Intermediate)

I’m going to also call this one intermediate, because its a actually easier than 2 in its basic form. But it does have some pretty advanced features.

I’ll keep this brief, because you can check out the other Lens Blur tut for more advanced features, including refining.

Choose Filter>Camera RAW

Scroll down to Lens Blur

Click Apply

Camera Raw Lens Blur panel with Apply unchecked and bokeh shapes

 

You can change the amount and different types of Bokeh to change the look. Also experiment with the focus range.

Hedge garden photo with Lens Blur applied in Camera Raw

 

Level 4. Very realistic background blur, with a depth map. (Pro)

We are going to start with the the ai Neural filter. Although this filter can blur the background on its own, we will just use it to harverst the depth map. Confused? Read on and all will be made clear.

Choose Filter>Neural FIlters

Neural Filters chosen from the Photoshop Filter menu

 

Look for Depth Blur and Slide the blue button to apply it.

Depth Blur beta switched on in Neural Filters

 

Notice the ai automatically blurs the background. Sometimes it works well, but often the edges aren’t good and other objects on the same focal plane (distance from the camera) don’t get the same amount of focus.

Look at the branches on the tree on the left. None of the methods so far have adressed them (but this method will). Also look at the frills in the middle of her dress, not great edges.

Depth Blur result with softly blurred hedges behind the woman

 

You can change the blur amount. For some photos, this may be all you need for the background blur. But keep going for the ultimate background blur technique (invented by myself ;))

Neural Filters panel with the Depth Blur settings over the garden photo

 

At the bottom of the settings, you will see Output depth Map only. Click it and apply.

Output depth map only checkbox turned on

 

You will see a flat gray image. This is a depth map. A Dmap is how 3D space is described. Darker areas are closer to the camera, lighter areas are further away.

Grayscale depth map of the woman, hedges and path

 

We are going to refine and edit the depth map.

Depth map on Layer 1 above the photo in the Layers panel

 

Choose select subject (from the bottom layer to load the selection of the woman), as we have done in the other tuts.

Woman's silhouette selected on the depth map

 

Choose the brush tool (b) and use a soft round brush.

Brush Tool icon in the toolbar

 

Zoom into the selection. You will see where the neural filter wasn’t as accurate as the selection in Photoshop.

Hold Alt/Option key and the brush will become an eyedropper. Click into the dark gray to sample the color,

Close-up of the depth map edge with the selection around the hair

 

Paint directly onto the depth map layer.

Depth map hair edge painted in with the sampled gray

 

Also paint around the hair to get a better depth map.

Woman's head and shoulders evened out on the depth map

 

Turn off the selection (Cmd/ctrl+D)

Depth map gray tones blended along the bottom of the dress

 

Sample the gray and paint with a soft brush to blend the tones together (watch on the video at the top to see this in action).

Depth map with smooth gray transitions around the woman

 

Hide the Depth map layer, so we can see the original image. Click the image layer.

Now, we want to include these vines/branches.

Vines and branches hanging over the hedge on the left

 

Choose the object selection tool

Object Selection Tool icon

 

change the mode to the right of the gear to Lasso

Object Selection mode set to Lasso in the options bar

 

Do one vine at a time and select them. Hold down the Shift key to add to the selection. (With the image layer active, or it won’t select correctly).

Vines selected one at a time with the Object Selection Tool

 

show the depth map layer

Vine selection shown on the depth map layer

 

Paint onto the map using the selection as a guide.

Vines painted onto the depth map in a darker gray

 

Use the same shade of gary as the woman to keep the vines on the same focal plane.

Notice we blended the edges on the left with the soft brush.

Now we need to put this into a channel.

Finished depth map with the woman and the vines in mid gray

 

Press Ctrl/Cmd+A to select all

Press Ctrl/Cmd+C to copy to the clipboard.

Open the Channels Panel.Window>Channels.

Click the plus button at the bottom

Channels panel with RGB, Red, Green and Blue channels

 

A new channel will be created, Alpha 1. Its black

 

New black Alpha 1 channel created in the Channels panel

 

Press Ctrl/Cmd+V to paste the depth map.

Alpha 1 shoyuld now have the dmap.

Depth map pasted into Alpha 1 in the Channels panel

 

 

Depth map shown in the Alpha 1 channel

 

Press Ctrl+D to turn off the selection if its still active.

Go to the Layers Panel.

Hide the dmap (layer 1)

Click on the background layer.

Background layer selected with the depth map layer hidden

 

The hard work is done. Now we are ready to apply the blur.

Original garden photo of the woman in the white gown

 

Choose FIlter>Blur>Lens Blur

Lens Blur chosen from the Filter Blur menu

 

It will load and everything will be blurred.

Lens Blur preview with everything blurred before the depth map is set

 

Under Depth Map, change the source to Alpha 1. (Sometimes it will be already be selected).

Make sure the Set focal point box is active.

Lens Blur Depth Map source set to Alpha 1 with Set Focal Point

 

Click on the womans face to make her the focus point.

Lens Blur with the focal point on the woman's face, hedges softly blurred

 

Set the amount of blur you want and try some of the other settings, shown on video.

Change the setting to More accurate and click ok.

Lens Blur preview set to More Accurate

 

Notice how the blur is in the background and a little in the foreground too.

Also notice the bush and branches to our left are also nice and in focus while other ares as blurred.

This is the most realistic result out of the methods. It takes some extra work. It will depend on the circumstance if the extra work is worth it to you. I don’t always use this method, but I love using it when I need the best results possible.

Final realistic background blur with the woman sharp and the hedges and vines softly out of focus

 

Alright, you have just covered a lot of ground when it comes to background blur. I hope my tutorial is helpful. If the more advanced methods are too much for you right now, bookmark this tutorial and revisit it later.

Thanks for checking it out!

Great to see you here at the CAFE

Colin


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15 comments

  1. Geo Gibbons

    Fantastic lesson. I’ve been using the second method (the 1st intermediate one) for a while now. I think I learned that ‘expand selection/content aware fill’ from you a few years ago. For the most part I am happy with the results I get with it. But your pro method looks simple enough to produce even better results without taking an inordinate amount of time. But, since I don’t use the beta version of PS I will have to wait to give it a try.
    I was curious if the camera raw blur filter or the neural filters cost/take credits or are they part of our PS photog subscription?

  2. Paul Johnson

    Thanks Colin – outstanding tutorial as usual. I feel confident to go to pro level now as I understand it well, thanks to your excellent explanation. Top marks!

  3. Lynette Kent

    Absolutely a fantastic tutorial!!! Very clear, even with all the options! Thank you, Colin!!!

  4. JimBeaux

    Great tutorial. I’m a professional Photoshop user (mainly editing product photography), and your take on editing depth maps is fantastic. When Photoshop first started using depth maps, I knew it had great potential. Your technique takes it a step further, and you’ve inspired me to incorporate it into my workflow.

  5. Paul Lasky

    Colin, I do a lot of Portrait work and use your method No. 2 – Field Blur points on a filled-in background layer, almost exclusively to blur backgrounds. Never use Method No. 3, ACR, as it is just not reliable, or flexible enough. Will try your Method No.4, Depth Map, but it looks time consuming with a modest gain in accuracy over the use of multiple Field Blur points.

  6. Linda Wood

    Thanks so much. Another super lesson with easy to follow steps. I loved seeing the advanced level, and can’t wait to try it out on nonprofit field photos I work on, needing extra help prepping for digital or print.

  7. Prue Wright

    Fantastic tutorial Colin! I have struggled understanding how to use depth maps, you make it very clear. Thankyou!

  8. Craig Gorum

    Great lesson, will be using this in the future. Question at what point would be best to remove the three branches from the picture?

    1. Colin Smith Author

      I chose the picture because of them to demonstrate the technique, aesthetics wasn’t a consideration as the tutorial would be significantly less useful and I probably wouldn’t have used this image if it wasn’t for the branches, so I guess the answer is personal. I wouldn’t remove them, where as you might choose to and we would both be right. .

  9. Ian Sexton

    Great tutorial! Learned a lot. Propably would go for the final method.

  10. Thomas

    I liked your Blur training technique. but there is a plug in to Photoshop that I use for blurring that creates a depth mask and allows you to adjust the amount of depth. Its call TK 9. It uses the masking to a science, you can select Luminosity, hue or saturation masking plus Blur making as well. Color blending and a host of other shortcuts as well. You can see some of the tutorials on a YouTube, TK Friday. give it a look!

  11. David Abbott

    This is probably the most interesting and informative tutorial I have read and used for many years. Each year I publish for a few friend a calendar featuring buses and coaches and since the arrival of Depth Blur I have attempted to use this but found it of limited value and no use on parts of the image showing the scene through two sets windows, on both sides of the vehicle. Your technique will be of great value in this. On another matter, I find great difficulty in removing reflections with the tool in its present state of development1

  12. Pam Brighton

    Thank you Colin, I’ll definitely give the final method a try.

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