How to Paint with Light in Photoshop

Colin Smith

How to paint with light in Photoshop

Take a flat photograph. Add some shadows, highlights and color and transform it with Photoshop. Colin Shows you how.

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In this Photoshop tutorial, you will learn 2 ways of painting with light, as well as how to add sun flares. We will take a flat photo and flood it with sunlight, as well as adding depth and dimension. We are working on a Panorama. Here is how to make a panorama in Photoshop

Let’s begin with this aerial panorama I shot with a drone at Atlanta GA. (More of my aerial photography here)

1. Hold down the alt/option key and click the mew layer icon in the Layers panel.

New layer button outlined in the Layers panel, labeled hold down Alt or Option

2. This will give us the options box for a new layer.

Change the layer blending mode to Overlay, set the name to light and click ok.

New Layer dialog naming the layer light in Overlay mode over an Atlanta skyline aerial

3. Choose the brush tool (B key)

Choose a soft round brush

Select white as the foreground color.

Change the opacity to 15%

Brush options bar with Opacity set to 15 percent

4. (If you are using a pressure sensitive pen, such as a Wacom).

In the Brush Settings Panel (Window>Brush Settings) select Transfer and set the Opacity Jitter control to Pen Pressure.

Brush Settings Transfer with Opacity Jitter set to Pen Pressure

5. Adjust the size of the brush by pressing the [ and ] bracket keys.

Brush cursor over the Atlanta skyline at sunset above a park lake

6. Begin to paint where the light will go. (The video at the top, shows all the painting and why I paint where I do).

Light painted on the trees and lake in the Atlanta park

7. Continue painting wherever you want to see light. (we will add the sunlight in a few steps)

Pay close attention to the fronts of the trees and areas tht will be facing the light source behind the buildings.

Fronts of the trees lightened facing the sunset

8. Change the foreground color to black.

Now, paint on the opposite sides of the objects, that would be facing the viewer. We are now painting in the shadows. This gives shape to the trees.

Shadow sides of the trees darkened with a black brush

9. This is a totally option step, and honestly, not one I would do that often myself, but I’d like to demonstrate adding sun flare.

There are many ways to do this, one is the lens flare filter. Filter>Render>lens flare

In this tutorial we will use a simple method of a brush. You can find Photoshop brushes all over the internet,

The one I’m using is a paid option from the Universe builder set from Design Cuts. 

Choose your brush and set the foreground color to white.

Brush picker with the Flare brush selected

10. Create a new layer and tap once with the brush to apply the effect.

Someone asked me if you should color the sun flare. You can if you like, but often, it’s so bright on a photo that it will appear white.

Sun flare stamped between the skyscrapers

11. Now that we have the sun flare, we need to add some light to the buildings facing it.

Choose your soft round brush again and choose your original “light” layer.

Sun flare glowing behind the Atlanta skyline

Paint on the sides of the buildings facing the sun flare.

If you want to adjust this effect you could apply some curves, and hue saturation to tune the colors. (I do on the video)

Light painted on the sides of the buildings near the sun

12. Creating sunlight.

Now we will create some warm sunlight. Often, I will do this at the beginning, but I wanted to wait, so you could see the previous steps more clearly.

Hide all the adjustments you have added to the photo (as shown below).

Choose the bottom layer that is our photo.

Add a new Curves adjustment layer, by clicking on the yin yang at the bottom of the Layers panel and choosing Curves.

Curves 2 adjustment layer added above Layer 0 in the Layers panel

13. Drag up on the middle of the curve to brighten that area.

RGB curve dragged up to brighten the midtones

14. Click on RGB and choose the Blue channel.

Decrease the blue (blue is the opposite of yellow. To get yellow, reduce the blue).

Blue curve pulled down to add yellow

15. Choose the Red channel,

Slightly increase the reds to make the yellow look more orange and golden.

Red curve raised slightly for a more orange light

The photo should now have a warm light to it. We only want it in certain areas.

Whole Atlanta park photo warmed by the Curves adjustment

16. Click on the white rectangle next to the curves adjustment.

Press Ctel/Cmd+I to invert it. This will hide the adjustment.

Curves 2 mask inverted to black in the Layers panel

17. With a white soft brush selected, let’s paint in the adjustment.

White brush painting warm sunlight onto the park and lake

18. Paint in the areas that you want the sunlight.

Warm sunlight painted on the park trees and lake

Turn back on all your layers, and adjust the opacity of the layers if you feel like the adjustments are too much.

Light layer set to Overlay at 95 percent opacity with all layers on

Here is our result. In this case, I have everything turned up so you can easily see the results.

Atlanta skyline at sunset with a glowing sun flare and warm painted light

An here is the image after I have adjusted the opacity on the different layers to get a balanced result.

Final Atlanta park aerial with soft painted sunlight and a sun flare over the skyline

Great to see you here at the CAFE,

Colin


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7 comments

  1. Peter Brooks

    Hi Colin,
    Very interesting technique, which I have not thought of using. Thanks for the tip
    I have created images with actual light from a torch which is another way of painting with light. Taken at night on a long exposure.

  2. Lesley

    thanks Colin. Great video. With the sunflare to me it looks a bit fake as I thought it would have a bit of colour in it. How would you add colour.
    I didnt find the downloads to the brushes you used.

    cheers
    Lesley

  3. Pssequimages

    Thank you (AGAIN and AGAIN)–wonderful technique. Thank you for showing us the quick and helpful way to create a new layer-that was new to me.

  4. Suzanne Bauer

    I want to be able to do this!! The image looks great!
    Another fantastic tutorial. Thanks!

  5. Fred Coffey

    Interesting tutorial, but I have a question…aren’t you painting over with a solid color, thereby losing details in the trees or buildings you are lightening? As opposed to using an adjustment layer, masking, inverting the mask and then painting with white on the mask? Or, creating a brighter layer above, and masking & painting. I used to burn my images using a similar technique except painting with black, but I found I was just painting over the image and losing detail. Your thoughts would be appreciated, thank you.

    1. Colin Smith Author

      If you go really heavy you might lose some detail, but you would also lose detail with real shadow.

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