Object selection tool in Photoshop got an update. How to make quality ai selections

Colin Smith

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Adobe updated the Algorithm in Object finder and it’s finally a viable alternative to Select Subject.

In this tutorial, we will look at how Object Selection differs from Select subject. Then we will do a comparison between the two tools and I’ll provide some tips and a workflow to get the best results. Check out the video to get more details.

How Object Finder and Select Subject differ

For either of the tools, you will want to choose the Object Selection Tool first.

Object Selection Tool chosen from the selection tools menu in the Photoshop toolbar

At the top, choose the drop down menu and select Cloud. This will always give a better result than Device. (You can permanently change it in preferences).

Select Subject dropdown with Device and Cloud (Detailed results) options

Click on Select Subject and a Marching Ants selection will appear around the main subject(s).

In this case it selected the three woman.

Select Subject outlining three young women posing in front of a blue camper van by the sea

Ctrl/Cmd+D to deselect.

Let’s try the Object finder. With the Object Selection tool still active, make sure Object Finder is on

Object Finder checkbox turned on in the Object Selection options bar

As you roll lover selectable objects in the photo, they will appear highlighted.

To select them, click and the selection will be created.

Object Finder highlighting one woman in pink as the cursor hovers over her

The main difference from Select Subject, is the ability to select different objects individually and isolate them. In the past, the quality of the selection was inferior to the selection quality of the Select subject. As you will see, this is no longer the case.

Three women cut out individually on a transparent background, each on its own layer

Using Object Selection, manually

Another function of the Object selection, is the ability to tell Photoshop what objects you want to select, these can be large or tiny, simple or complex.

Turn off Object Finder and use rectangle mode.

Object Selection options bar with Object Finder off and Mode set to Rectangle

Draw a box around the object to select.

Rectangle drawn around a palm tree in a vintage-toned photo

The ai will make its best selection around the object.

Palm tree outlined by marching ants after the AI selection

Combination selections

Make a box around part of an object, the box doesn’t even have to be accurate, just good enough to tell Photoshop what you want to select.

Box drawn around part of a yellow Ferris wheel gondola

The selection will be made.

Yellow gondola fully selected by the Object Selection tool

To add to a selection, hold down the Shift key and make a box around another object

Holding Shift and drawing a box around a second, red gondola to add to the selection

Both are selected.

What if we want to add the shape in between?

Both the red and yellow gondolas selected, with the arm between them unselected

For odd shaped selections, choose the Lasso mode.

Object Selection Mode menu switched from Rectangle to Lasso

Hold down Shift and make a selection

Lasso drawn with Shift around the metal arm connecting the two gondolas

Notice it added to the selection nicely. We need to remove the empty area inside the shape.

Gondolas and connecting arm selected, with background still inside the arm

Hold down Alt/Option to remove from the selection.

Drag inside the shape to remove the center.

Holding Alt or Option to lasso out the empty space inside the arm

And the ai does it’s thing.

Clean selection of both Ferris wheel gondolas and their connecting arm

If I add a layer mask, you can see how the selection looks. Not bad, for nat making any modifications.

The two gondolas and arm cut out on transparency with a layer mask

Select Subject vs Object Finder

Ok, the moment of truth. Let’s compare the quality of selections between the 2 ai powered out selection tools.

We will start with Select subject and a subject that has a lot of hair. Yes, it’s a simple background, but the point here is to compare the two tools and the quality of the edges, not compete in a difficult selection challenge.

Select Subject button being clicked in the options bar

Here is the selection. I won’t make any refinements or modifications in this test, just a single click only. At the end of the tutorial, I’ll show how to refine the edges.

Select Subject marching ants around a woman with long curly brown hair

Lets click the layer mask button to mask this Select subject.

Woman with curly hair masked by Select Subject on a transparent background

Onto Object finder.

Object Finder checkbox turned on to compare it with Select Subject

Make sure Object Finder is on.

Object Finder highlighting the curly-haired woman in pink

Click to select

Object Finder selection on the woman with marching ants through her curls

I added a mask to this too. and put the 2 different selections next to each other for you to look at. We have Object Finder on the left and Select Subject on the right.

We will look at different colored backgrounds. The first thing that struck me, is this tool is now usable, the selection isn’t bad at all. Its not perfect, but remember, we haven’t worked it yet and all selection tools, just give you a starting place.

Object Finder and Select Subject cutouts of the curly-haired woman side by side on red

closer up, you can see things like the eyelash.

Close-up comparison of both cutouts with the eyelash edges circled in yellow

Here it is on white

The two curly-haired cutouts compared side by side on white

and on black, I notice the Object finder (on the left) seems to do a better job with the fine details on the hair.

The two curly-haired cutouts compared on black, showing the fine hair edges

Here is a different selection. Select subject is doing better with the smooth details on the back of the skater, however its missing part of the board (all of these are easy fixes).

Skateboarder cut out by Object Finder and by Select Subject on red, her back circled

Object Finder Special features

Lets look at some of the settings

3 Features + Settings title over a portrait of a woman wearing a red rose crown

If you click this icon, you can show all selectable objects at once.

Show all objects button highlighted beside the gear in the options bar

Each of the highlighted areas can be clicked on to automatically load the selections.

Woman with a rose crown with every selectable object highlighted in magenta

Click the gear to see the settings (these are all covered in the video)

The main ones are the ability to change the way the overlay is displayed.

Refresh is useful when you are compositing. As you work on the image, Photoshop will constantly analyze and update the overlays. If you choose Manual Refresh, the analysis will stop. Click the rounded arrow to manually update (refresh) when you are ready.

Object Finder settings: Object Subtract, refresh mode and overlay color, outline and opacity

Refine the selection

Whichever tool you use, you will still have to refine the selection for production-level selections. I’ll briefly show you the main steps here. I have many tutorials here at the CAFE that show how to refine the edges of selections and they are all still valid. The ai tools, add more tools to make quick selections, but they don’t replace the other tools, which in many cases, can still yield better results with a little more effort.

5 ways to fix selection edges in Photoshop

4 Refine Edges title with a man's portrait on red beside Select and Mask settings

Make the selection with Object Finder (or any selection tool).

Clicking to select a young man in a brown jacket with Object Finder

Click on Select and Mask

Select and Mask button in the options bar, clicked to refine the selection

Now we enter the select and Mask workspace. (Maybe I should do a deeper tutorial on this tool and explain all the options sometime?)

The main settings are here.

First, move transparency to 100%, so you can clearly see what you are working on.

Select and Mask with Transparency at 100%, the man's head on a checkerboard

If you have hard edges that are a little uneven, try these settings.

Radius to 1px.

Tiny amount of feather and contrast. Only use smooth if there are objections jaggies, using smooth makes it almost impossible to get good hair edges, but you could work in 2 passes. Beyond the scope of this tutorial.

Select and Mask Radius 1 px, Feather 0.5 px and Contrast 7%

His jacket it looking really good, but the hair on his temples are semi-transparent.

The man's cutout with semi-transparent hair at his temples

grab the refine brush from the left panel.

Refine Edge Brush Tool in the Select and Mask toolbar

paint over the hair edges

Painting the Refine Edge Brush along the man's hair edges

This is a great tool for hair, fur, smoke and glass.

Cleaner hair edges on the man after the Refine Edge Brush

Choose decontaminate colors to remove edge halos

Decontaminate Colors checked at 100% with the man shown on red

The best way to output is New Layer with Layer mask.

Output To menu with New Layer with Layer Mask selected

And the Final Cut out. These are good tools to remove the background in a photo in Photoshop.

Final cutout of the man in a brown jacket on a transparent background

I hope you found this tutorial useful. Tune in for a new tutorial each week and browse the hundreds of tutorials here at the CAFE (at least bookmark, as PhotoshopCAFE will be a valuable resource for you, as it is for millions of other users.)

Thanks

Colin

Also follow me on Instagram, Tik Tik, Threads and Twitter.  for shorts and reels.

My new course on Generative Fill in Photoshop: https://photoshopcafe.com/shop/generative-fill-in-photoshop-introduction-course/


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3 comments

  1. Mr Richard Moore

    I have the latest update to Photoshop but cannot get it to work as you demonstrate. Can yo assist please?

  2. Mr Richard Moore

    I find that you must have Use Graphics Processor selected. Edit, Preferences, Performance, Use Graphics Processor (ticked).

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