How to get better fur + hair cut outs in Photoshop by making a small change.

Colin Smith

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Everyone dreads cutting out hair and fur inside of Photoshop. There’s a slight adjustment that you can make to the way you do it’s going to give you much better results. Let’s have a look right now.

Grab this photo from the Adobe Stock Free collection

source image of dog

So let’s grab any of our magic tools

magic tools in photoshop

Click Select Subject

Yorkshire terrier close-up selected with Select Subject in Photoshop

We’re not trying to get a perfect cut out here. I just want to do this very quickly to show you the difference between the 2 approaches.

We’re going to choose select and mask.

Select Subject and Select and Mask buttons in the options bar

Now under select and mask, you want to grab the refine brush.

Yorkshire terrier in the Select and Mask workspace on a white view

They grab the refine edge brush and paint around the edges.

Refine Edge Brush painted around the terrier's fur, half on the fur and half on the background

You will see a nicer edge on the fur. This works EXACTLY the same on hair on people or animals.

Nicer fur edge on the terrier after the Refine Edge Brush

Choose select and   grab a new layer with layer masks.

Click. Ok.

Output To menu with New Layer with Layer Mask chosen in Select and Mask

And we’re going to call this one usual. That’s how people usually do it.

Hide the “usual” layer

and choose the background. We are going to do it again, with the tip this time.

Layers panel with the first cutout layer named usual above the Background

Alright, let’s grab it and we’re going to do it again. This time I’m going to make a slight adjustment.

So let’s choose select subject.

Then Select and Mask. Just like before.

Grab the refine brush again. I’m going to use exactly the same settings, same brush size, everything. So I’m not going to change anything.

Terrier in Select and Mask again for the second try with the same settings

Paint on the edge. If you watch the video, or look at the screen grab below. You will notice I’m doing something different. You might not even notice until I point it out.

Refine Edge Brush stroke around the terrier's head

Last time I had the brush halfway over the subject and the background.

Red circle showing the brush mostly over the background with just its edge touching the fur

Notice what I’m doing this time. I’ve got the brush on the outside and I’m just letting the edge of the brush hit the edge of the fur. After countless hours of masking, I noticed this approach gets better results than how I used to do it.

Red circle showing the brush halfway over the fur, the usual way

Let’s see the difference.

I put a blue adjustment layer under the images to make it easier to see.

On the left is the 2nd one with the brush mostly on the background. On the right is the first one with the brush in the middle.

Two terrier cutouts on blue compared side by side, the tip version on the left

You can see making this simple adjustment, gets better results when you are refining your edge.

Terrier cutouts on blue with the fur halo circled on the usual version

This was just a quick tip on using the refine brush. I have lots of other tutorials on making selections, refining the edge, removing edge halos and much more. Browse the free tutorials and enjoy them.

And it goes without saying, but I’ll say it anyway. This was not a masking challenge where I was trying to do a difficult mask or show you how quick and easy it is to get a perfect selection. All I wanted to do is just demonstrate the difference between running your brush around the outside or on the inside and seeing how the outside is going to give you a better hair and fur selections.

So if you found this useful or you learned anything new, let me know in the comments underneath. And by the way, if you guys are new, welcome to the Cafe.

Tell your friends about PhotoshopCAFE.

And until next time I’ll see you at the CAFE

Colin


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20 comments

  1. Richard Bourdeau

    This will help as I always had difficulty with the refine hair tool. Thank you again.

  2. P.Steelman (Priss)

    What a difference that little repositioning makes. Thanks, AGAIN, Colin for streamlining Photoshop for us.

  3. Cliff McFarlane

    Thanks Colin, I like your format, short and clear. I also find your tips helpful.

  4. Lon Kirschner

    Thank you Colin! I have struggled with the edges getting “eaten away” after using the refine brush and it was never mentioned that just going along the edge would improve this. The simple easy tips are sometimes worth more than the 1 hour tutorials. Your quick tips are always great and so easy to digest.

  5. JEAN-CLAUDE BUFFINGTON

    Thank you sir. A very simple change that makes a great difference. it is always a pleasure to watch you informative videos. Thank you.

  6. Kathleen Towns

    This was very helpful and your delivery was easy to follow and listen to…….not to fast, not to slow.
    Thank you

  7. Bruce K Blaylock

    Thanks, Colin. Always wondered where my brush would be most effective when refining. Now I know…

  8. Looks good Colin. This is very helpful. I do 4 or 5 animals weekly & always struggle with this, I’d like to see how you capture cat whiskers.

  9. Andrea Scott-Norton

    Hi Colin. I using Photoshop 2021 and this doesn’t work. Apparently, Adobe is aware of this. However, have you worked out how to sort out this problem?

  10. Dave Rogers

    I appreciate this cool tip as well. So many things to know, so little time to use them all! This will definitely save some of that time.

  11. Hi Colin
    Great tip! Thanks for being so generous with your knowledge ! Chris

  12. I’m using Photoshop 2020 and I couldn’t get this to work either. I have tried this several times but nothing happens when I try to paint on the mask with the refine edge tool

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