Ultimate Guide to ACR Lightroom Color Grading Tool

Colin Smith

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Complete guide to Color grading in Lightroom and Adobe Camera RAW

Have you ever wondered how to use the Color grading tool inside Lightroom and Adobe Camera Raw? Here is your complete guide to all the settings in the Color Grade tool in Lightroom and ACR.

This isn’t a tutorial on color theory, it is a tutorial on how to get the best color grading results using this tool and it covers 2 important sliders that are often overlooked.

You can find the color Grade tool in Lightroom (v10 2021 and newer) under the develop module. I’ll start with an explination of the settings, then we will apply them to 3 images to show how to work highlights, shadows and add a cinematic color grade to photos.

Lightroom Classic Color Grading panel with midtones, shadows and highlights wheels outlined

You will also find it under Filter>Camera RAW in Photoshop 2021 and newer.

Blue tang fish with a color and grayscale bar in Camera Raw color grading

If you want a larger view of the color wheels, click the Shadows, midtone or highlights buttons.

Color Grading Adjust buttons for Shadows, Midtones and Highlights outlined

Shadow, Highlight and Midtones

Here I created a gray and color scale so you can see the effects of the adjustments. This part is best viewed in the video at the top.

As we move the shadows, notice how it affectsa the left side of the grayscale bar as well as the blacks in the image.

Shadows wheel tinting the dark parts of the blue tang fish and grayscale bar purple

The highlights shifts the left side of the scale and the bright parts of the image.

Highlights wheel tinting the yellow tail and the bright end of the grayscale bar

Midtones affects the mids in the image, see the middle of the grayscale bar.

Midtones wheel shifting the middle of the grayscale bar and the fish's midtones

Hue, Saturation and Luminance

Drag around the circle (wheel) to change the color (Hue).
Drag towards the edges of the wheel to increase saturation (amount of color). Drag towards center to reduce the saturation.
Drag the Luminance slider to increase/decrease brightness.

Color wheel diagrams explaining Hue, Saturation and Luminance

Tips for using Color Grade

Hold down Ctrl/Cmd to constrain adjustments to Hue only

Shift key constrains to Saturation only without changing hue

The Alt/Option key allows you to make fine adjustments as it slows down your movements.

Color grade tips: Ctrl or Cmd for hue, Shift for saturation, Alt or Option for precision

Balance

The balance slider will favor a color and apply the tint to all the ranges in the image

Balance to the left will favor the Shadow tone (If you have changes it, otherwise it will have no effect).

Balance at -100 favoring the shadow color on the blue tang fish

Move Balance to the right to favor the color on the Highlight wheel

Balance at +100 favoring the highlight color, turning the fish pink

If blending is in the middle, it favors the midtone wheel. The midtones are also influenced by the shadow and highlight colors.

Balance at +2 with the midtone wheel coloring the fish blue

Blending

The blending slider will separate the colors in the regions, or blend then together.

Move the Blending slider to the left and the colors are more separated and contained to their respective regions.

Blending at 0 keeping shadow and highlight colors separated on the grayscale bar

 

Blending at 50 mixing the shadow and highlight colors on the fish

As the slider is pushed to the right, the colors are now distributed through the other tones and blend with each other more.

Blending at 100 spreading the colors through all the tones

Color Grading Highlights (Blending use case)

Remember this is a Color grade, not a color correction. You should do color color correction first, grading is to add some style.

Let’s color grade the highlights on this photo I shot in Maui Hawaii.

HIGHLIGHTS title over a misty long exposure seascape with rocks in Lightroom

Add a little pink to the highlights

Pink added to the highlights of the misty Maui seascape, highlights wheel circled

Add a little blue to the shadows (a very common color grade move).

See how the color is present in the highlight/shadows regions, but it’s very separated and doesn’t blend much.

Blue added to the shadows of the seascape with pink highlights

As we move the blending to the right, the colors blend together much better. See the highlights on the water.

Blending moved up so the pink and blue blend across the seascape

Experiment with the Balance as well

Seascape with Blending and Balance adjusted, outlined in red

Color Grading Shadows

SHADOWS title over a couple embracing on a lit street at night

Here is a photo, that has lots of shadows.

Couple in a red coat and dark coat embracing under string lights at night

It can look nice to add a little greenish tint to the shadows to add a bit of style

Greenish teal tint added to the shadows of the night couple photo

Or we could add a little blue.

Blue tint added to the shadows of the night couple photo

(Optional) Sometimes when you add some color in the shadows and midtones, you will need to reduce the saturation a little bit to keep skin tones more natural.

Saturation lowered to -11 after adding color to the shadows

Cinematic color

Lets make a cinematic color grade

CINEMATIC COLOR title over a classic red Corvette convertible

here is the starting photo

Classic red Corvette in Camera Raw with the Shadows wheel circled

The most common look is the Teal and orange, or blue and orange color grade, also known as the Blockbuster look. This is achieved by adding teal or blue to shadows and orange to highlights.

Notice the Luminance in the shadows and highlights. I have boosted the darks in the shadows and increased brightness in highlights to add contrast punch.

Teal and orange grade on the red Corvette with luminance adjusted

Let’s do another vintage period color grade, that I enjoy.

Add some greens into the shadows.

Green added to the shadows of the Corvette photo

Adding yellow to the highlights adds a nice look.

Yellow added to the highlights of the Corvette photo

Usually this is accompanied by reducing the saturation somewhat

Saturation reduced to -46 for a cinematic look on the classic Corvette

Hopefully this tutorial has given you some insight into this very powerful tool in Lightroom and camera raw.

If you are getting value from my tutorials, please tell your friends about PhotoshopCAFE and share them on social media.

Great to see you here at the CAFE

Colin

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10 comments

  1. Kenneth OBrien

    Thank you. I will attempt to use and improve -. The LOL is where can I get the “Vet”??

  2. Really clear explanation of how to use the the ‘wheels’ with practical examples. All these tutorials provide a treasure trove of processing facts and tips in an easy to understand presentation. Much appreciated.

  3. David J Hood

    Never saw much need for using Blending and Balance – thanks for demonstrating the value of these sliders. Love your tuts!

  4. Annette Berglund

    Thank You! IO was confused by the the color grading! Make sense now

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