New way to Light photos in Photoshop with Texture boost

Colin Smith

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Colin Smith’s Lighting Photos 2.0 in Photoshop Tutorial.

Previously I made a very popular tutorial on how to use Lighting effects to relight photos in Photoshop. I had many people tell me they weren’t aware this tool ever existed and were really happy with the results. It’s a tool I have loved and used for many years, but sadly, due to Adobe moving away from certain technology. mainly Open GL, they are retiring the 3D tools in Photoshop, and this includes our beloved Lighting Effects (even though it was a precursor to 3D in Photoshop). (see this tut on how to keep using these features as long as possible)

I used Lighting effects are far back as the 90’s to create a series of photo realistic illustrations entirely in Photoshop (it made PhotoshopCAFE very famous in the 2000s) , such as the guitar here. See more of my illustrations here

Photorealistic red Ibanez electric guitar illustration by Colin Smith, labeled made in Photoshop

At one point, Adobe updated the Lighting effects to use 16-bit channels, but it never worked right, and they went back to 8-bit, but with the newer interface. I wish someone would patch the original lighting effects (8-bit application which no longer works) which didn’t use GPU and get it working. Anyway, it’s an end of an era. So I have taken the new tools and adapted them to use for lighting photos. (It won’t Create the bump on a channel for me to make illustrations though).

Banner reading Lighting Effects are retired along with PS 3D tools over a barrel photo

2.0 version of Colin’s Lighting photos in Photoshop Tutorial.

Ok, here goes.. it doesn’t give you as much control as we used to have, but I have figured out how to make the new tools produce a similar result.

Pay special attention to the 2nd part of the tutorial. which is adding edge texture. I don’t know of anyone else who does this in Photoshop, but it sure makes a difference.

This is the starting image. The same one I used in the original tutorial on this, a few years back.

Wooden barrel standing in front of stacked barrels on their sides in a dim cellar

Let’s set the ambient light, making everything darker.

Click the new Adjustment Layer icon

Layers panel with the New Adjustment Layer button being clicked

Choose exposure (Curves or LUTs work too, but this is easiest for tutorial purposes).

Adjustment layer menu with Exposure highlighted

Move exposure down the darken the image

Exposure adjustment lowered, darkening the whole barrel scene

Every adjustment layer comes with a mask. Click on the mask.

If we add black to the mask, it will hide the adjustment and allow the original to show through, giving the impression of light.

Exposure 1 layer mask thumbnail highlighted in the Layers panel

Press the D key to reset foreground and background colors. *(Black as foreground)

Choose Gradient, grab foreground to background.

Choose radial as the gradient type.

Gradient tool with the black to white Basics gradient and Radial type selected

Drag on the image to create a spot light. (If it doesn’t work, try turning on reverse for the gradient options).

You will see a new addition in the form of a point on the outer circle. Depending on when you read this, it’s currently only in the Beta version of Photoshop. How to get the beta. 

Radial gradient on the barrel with the new outer-circle point circled in red

Drag the point to change the circle to an oval

Radial gradient stretched into an oval of light over the barrel

See the diamond on the line? Drag it to the outside to reduce the fall off.

Diamond on the gradient line dragged outward to make the light's edge harder

Move it closer to the center to increase the light fall off, for a more natural feather of the lights edge.

Diamond moved toward the center for a softer, more natural light edge

As you se, it produces a nice light effect.

Texture Boost

These is something missing though. When you light an object from the side it increases the appearance of the textures.

If you front light, it’s usually flat and conceals details, which is why a lot of glamour and beauty photography utilizes flat, front lighting. We want the texture boost.

Barrel scene lit by an oval spotlight, the rest of the cellar dark

Choose the Channels panel

Click on the Red channel. (Because red is the dominant color. in this image).

Hold Cmd/Ctrl and click on the thumbnail.

Channels panel with the Red channel highlighted for Ctrl/Cmd-click

This will load the luminance (brightness) from the red channel as a selection.

Red channel shown in black and white with marching ants on the bright barrel staves

Click on the words RGB to restore the channels. (Not the thumbnail)

RGB channel name highlighted in the Channels panel

Make sure your panel looks like this before proceeding.

All the channels are active and all are selected in light gray. (This is the default value).

All channels active and visible in the Channels panel

Choose the background layer.

Background layer selected in the Layers panel below Exposure 1

Press Cmd/Ctrl+J to copy the selection to a new layer.

New Layer 1 with the copied selection between Background and Exposure 1

Change the blending mode to Overlay

Don’t worry if the colors look over saturated suddenly, that will be fixed in the next step.

Layer 1 blend mode set to Overlay in the Layers panel

Lets make the texture pop

Choose Filter>Other>High Pass

High Pass dialog at Radius 0.1 pixels over the barrel

As you increase the Radius, you should see the texture become more pronounced.

Choose an ampunt that you like, usually between 1-4 depending on the resolution of your image.

High Pass at Radius 3.8 pixels, bringing out the wood grain on the barrel

Here is our final result. I hope you like it!

Final barrel scene with spotlight lighting and boosted wood texture

Thanks for checking out this tutorial. See you next week with a new one!

Colin

Drop a comment and let me know if this was helpful.

Browse the other free photoshop tutorials here at the cafe

Download 100s of dollars worth of Photoshop adds on for free here at the Vault.

Photoshop Vault promo showing the free Layer Blend Modes ebook and a box of actions, presets and cheat sheets

Also follow me on Instagram, Tik Tik, Threads and Twitter.  for shorts and reels.

See you next time!

Colin


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24 comments

  1. Great tip! But on my beta version of Ps (25.0.0) on a Mac, I don’t see any gradient controls, and no white outline to identify the location of the gradient. The gradient is produced. I can see it on the mask, but without the control handles, I cannot replicate your results.

  2. Great tip! But FYI, on my beta version of Ps (25.0.0) on a Mac, I don’t see any gradient controls, and no white outline to identify the location of the gradient. The gradient is produced. I can see it on the mask, but without the control handles, I cannot replicate your results.

  3. Oliver Johnson

    Thanks Colin. In PS beta, this works only if the exposure layer is in Softlight mode (Overlay works, but less subtle)
    Nice tip, thanks

  4. Robert Pearson

    Love Photoshop Cafe & have learned a lot. But:Took several tries at this due to small steps left out. Not the first time for that. I never got the white shape, just the control dots. Is there a setting? When I went back to the project I couldn’t change the previous gradient. I’m using the latest PS Beta.

    When on photoshopcafe.com after a time the window promoting free downloads pops up and stays on the screen.

    1. Colin Smith Author

      Watch the video carefully if you are missing steps. There is an x at the top right of the box to close it. I tried to make it more obvious, but can’t seem to get that to work

  5. Ed Federer

    Great video guide. Love it. However, I can’t figure out how to put in two lights. Thoughts?
    Thanks
    Ed

    1. Colin Smith Author

      You will need to use white to transparent for the 2nd gradient

  6. Sue Bondurant

    Great tutorial. You explained everything really well. I love all of your tutorials. (except I had trouble with the last one,
    Mask in Lightroom)

  7. Ian Waddington

    Love the video, thank you. I assume the application of the gradient is destructive to the mask or can I get back to tool to adjust slightly? Or perhaps there is a way to work non-destructively? Thank you for your help.

    1. Colin Smith Author

      Sometimes you can re-adjust the gradient in the mask, Once you have closed and reopened the document, the gradients won’t be able to be changed on the masks, but the gradient layers will

  8. Valerie Mitchell

    Why do you select the red channel to enhance the texture? Is that only for this photo, or would it work on every photo. It seems to me that you would want to increase the text in the areas that are facing the light, but I don’t understand why selecting the red channel would do that.

  9. Lon Kirschner

    Thanks so much for this. I loved that old tutorial and was sad that the feature was gone. This is great. I can’t wait to ue it.

  10. Paul D Hanseen

    Thanks so much for this. This is great. I can’t wait to use it.

  11. Woow….. Colin! That’s amazing! The Photoshop-guitar. Guess what… I own that guitar. Or it is very, very simular of the Ibanez SA08 LTD2-RAR model. Perhaps an idea for an online tutorial?
    Great job. With compliments.
    Andre, The Netherlands

    1. Colin Smith Author

      Hi there, Mine is a 540s. I did tutorials and stuff on that in the book New Masters Of Photoshop, years ago 🙂

  12. As others have mentioned the control points to the gradient are not visible in either the Beta version of Photoshop (PS) or the non-Beta version. Working in Lightroom, a similar effect can be achieved with some effort. How does one get the control points of the gradient tool to appear in the gradient version of PS?

  13. Joe Lavee

    I’m unable to get the circle on PS classic version 25.0 nor on PS Beta version 25.1
    Would you know why?

    1. Colin Smith Author

      It should be in the newest version, make sure you don’t have classic selected under the gradient options

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