Best way to lighten shadows in photos in Photoshop

Colin Smith

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Fix shadows in Photoshop with this Parametric curve trick

Have you even noticed, that its really common to find the shadows in your photos are too dark? Even after setting the correct exposure, that mid-tone to shadow area still seems too plugged up.

Rocky shoreline at sunset with the dark rocks circled in red, Colin Smith PhotoshopCAFE caption Rock musician in a leather jacket holding a cream electric guitar, the dark jacket circled

Black dog and a spotted dog on a boardwalk, dark areas circled

In this Photoshop tutorial, I’m going to show you a really cool trick that I came up with, that targets those areas and opens them up (revealing shadow details)  instantly, and I’m not just talking about the shadow slider.

Choose File>Open. Choose Filter>Camera Raw filter if the photo doesn’t open in Camera Raw.

Camera Raw Filter highlighted in the Photoshop Filter menu

You should be in the Camera Raw window now. (Its the same as the Lightroom develop module).

After making basic Exposure adjustments, see the blacks and shadows are all running together. It’s just dark and difficult to see whats going on in the shadow region of the photo.

Boardwalk photo in Camera Raw with the black dog circled

I’ll jump right in and show you my tip and then I’ll explain it to you, so you understand whats happening and how to fine tune the result.

Under curves, choose the parametric option. The double S to the right of the word “Adjust”.

Slide the 2 left most dots on the gray bar to the left as far as they go.

Parametric curve split points outlined under the Camera Raw tone curve

Move the Darks slider to the right and notice that the shadows brighten exactly where you want and nowhere else. This one trick improves photos immediately..

Darks slider raised to +96 lifting the shadows on the black dog

How does this work?

Note: I could just move the shadow slider to the right from the basic panel to get a similar result. The reason I don’t just move the shadow slider in this case, is because if you move it too far, the image looks fake and over-processed, almost as if its wet. Also you can’t target the exact tones you want to include as shadows from the shadow slider. Read on for a better solution.

OK, get ready for a really quick crash course on parametric curves. They are soo good!

How Parametric Curves Work

You will see a black to white bar under the curve with 3 dots on it.

The dots divide the bar into 4 sections and work like a form of luminosity masking. They are:

Shadows (Blacks)

Shadows slider outlined at 0 in the parametric curve

Darks (Dark midtones)

Darks slider at +54 outlined with the first split point

Lights (Light midtones)

Lights slider outlined with its range on the tone bar

Highlights (Whites and brights).

Highlights slider outlined with its range at the bright end of the tone bar

The 4 sliders adjust the brightness of each of the 4 regions. To the left to darken and to the right to brighten.

If you move the dots, you target a different set of tones. If the dots are close together the region is narrow, if its far apart a greater rang of tones are affected. Watch the video at the top to easily see how it works.

Let look at darks. I have increased the brightness of darks.

Notice the position of the 2 dots on either side of the Darks on the image below.

Notice how the mid-tones are now brightening too. This is because they are included in the Darks zone.

Split points adjusted so only the dark midtones of the boardwalk photo brighten

Pull the dot to the left. Notice the shadows aren’t changing, but the mids are now being protected from the increased darks, because they are no longer included as darks (the area between the left 2 dots).

This is how you can brighten the shadows without over brightening the midtones.

Darks raised to +75 revealing detail in the black dog and dark clothing

To finish off the effect, you can give the Shadow slider a little push to the right to add a little snap without the image looking artificial or over processed.

Final boardwalk photo with the black dog's fur detail visible in Camera Raw

I hope you found this quick tutorial useful.

I’ll see you next week with a new tutorial

Great to see you here at the CAFE

Colin


Follow along for more tips

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9 comments

  1. Beverly Thiels

    I’ve never been able to get the hang of curves. I’d love to take the course but right now my health prevents enrolling in anything. Hopefully, this will change. I sure do enjoy your tips though, even though I’m not using them to digital scrap at this time. Thank you.

  2. Eberhard Haberkorn

    Thanks for this great tip. I have been using curves, but your way opened up a whole new dimension for me. Thanks a lot!

  3. MARLEEN LA GRANGE

    Thank you for your info- very helpful. Using curves but not to the extent.

  4. Ann Bricker

    As usual, I was impressed with your explanations. No I was blown away! This will be so helpful with my photos for the animal rescue where I volunteer. Between moving animals & poor lighting it can be a real challenge. Thank you.

  5. Jane Soodalter

    This as so helpful! I have to go back to so many of my photos and work them again with the parametric curves tool. Thanks!

  6. Joel Schilling

    PARAMETRIC CURVE…who ever heard of such a thing!! Thanks for this one Colin…I got the course also…

    Regards, Joel

  7. Col H G Baker

    Thanks for helping me understand the value of CURVES — and how to use them to make photos effective. After short time, already have started using them – including updating previously processed pix.

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