5 Hidden Tips for Adobe Camera Raw

Colin Smith

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5 Adobe Camera Raw tips you Probably Don’t know

In this tutorial, I want to share 5 powerful tips for Camera Raw. Check out the video and here, Ill post all the written steps too.

And the tips are…

Colin Smith at his desk with the five Camera Raw tips listed: autoedit, select anything, helpers, video, LUTs

ACR Tip 1. Batch Process ai adjustments

This one is a huge time saver. In last weeks tutorial, I showed you how to create a smart preset in Camera Raw 

Now, we are going to take this further. You can apply an adjustment to an almost unlimited number of photos and you don’t even need to make a preset or open Camera Raw or Photoshop to do it.

Tip 1 Batch Process title over a grid of portrait thumbnails in Adobe Bridge

First we have to make an adjustment. It could be any adjustment. We will use the ai masks, because this shows how cool this feature is. It could be a sky adjustment or anything really. To keep it really obvious, I’ll do a basic hair coloring, so you can see the result easily. Remember, this can be used on ANY auto mask tool.

Open Bridge and right-ciick

Choose Edit in Camera Raw.

Choose Mask and select the person.

Camera Raw mask options with Person 1 highlighted under People

In this case, we will just select the hair mask, it can be multiple masks if you want.

Click create.

Camera Raw people mask options with only Hair checked and the Create button

Move the hue slider to make the hair pink.

Press done.

Woman's hair turned pink with the Hue slider on the Camera Raw hair mask

Back in Bridge, you can see the adjustment has been made. The pink hair is hard to miss. Also look to the top right of the image and you will see a badge that means adjustments have been applied.

Adobe Bridge thumbnails showing the one edited portrait with pink hair among the others

Right click on the thumbnail and choose Develop Settings>Copy Settings

The settings are now loaded in memory

Develop Settings, Copy Settings chosen from the right-click menu in Adobe Bridge

Choose the photos that you want to apply the settings to.

Several portrait thumbnails selected in Adobe Bridge to receive the copied settings

Right-Click and Choose Develop Settings>Paste Settings

Develop Settings, Paste Settings chosen from the right-click menu in Adobe Bridge

You will see a dialog box.

Choose what you want to apply. We will only choose masking on this.

Paste Camera Raw Settings dialog with only Masking checked

And just like that (after a little time for processing) you can see that the ai masks detected and masked the hair on all of these images. Color me impressed. (Pun, not intended, or was it?)

Bridge thumbnails with the AI hair mask applied, every portrait now with pink hair

ACR Tip #2. Select Anything

Tip 2 Select Anything title over a rusty red gear wheel and the Camera Raw masks list

We know the ai masks can select things like skies, backgrounds, people and object, but can they select what we want them to select?

Yes.

Choose the Mask button and then choose Objects

Camera Raw Create New Mask panel with Subject, Sky, Background and Objects options

Loosely Paint with the brush to tell ACR what you want to select.

Loosely painting over a rusty gear wheel with the Camera Raw Objects mask brush

When you release, you will se it did a fairly decent job, but it’s far from perfect. (I hear comments from people, “the masks aren’t perfect” and neither are most things. Lets make them perfect shall we?

Objects mask in red covering most of the gear wheel, with some areas missed

Paint over the areas that were missed such as the top left of the cog.

Painting over the missed top left of the gear wheel to add it to the selection

When you release, it is added to the selection. Repeat until you have everything selected.

Gear wheel now mostly covered by the red Objects mask overlay in Camera Raw

Oftentimes, there will be things selected that you didn’t want selected.

Hold down Alt/Option and paint in the areas to be removed from the selection.

Holding Alt or Option and painting to remove the background from the gear wheel mask

Not bad, better. There are still small areas to work on.

Gear wheel mask improved, with only small areas left to fix

In the Masks panel, Choose Subtract and then brush

Subtract menu in the Camera Raw masks panel with Brush highlighted

 

Zoom in and manually touch up the selection

Zoomed in on the gear wheel, touching up the mask edge with the brush

And now you can make any adjustment you want and it will just apply to the area you selected.

Rusty gear wheel turned bright orange with an adjustment through the Objects mask

ACR Tip #3 Color Grade Video

Tip 3 Color Grade Video title over a sailboat off a beach lined with high rise hotels

In Photoshop, choose File>Open and navigate to a video clip

The video will open in Photoshop

Video clip of a boat and a city skyline opened in Photoshop with the timeline below

In the Layers panel, right-click on the thumbnail and choose Convert To Smart Object.

If you don’t make it a smart object, the adjustment will only apply to a single frame of the video. Wrapping it into a Smart Object ensures the entire clip will be affected.

Video layer converted to a smart object inside Video Group 1 in the Layers panel

Convert to Smart Object highlighted in the Photoshop right-click layer menu

Choose Filter>Camera Raw

You will see a frame inside Camera Raw.

Make adjustments just like you would with an image. Be aware the warping tools won’t work, but most of the adjustments will.

Press OK

Camera Raw Filter color grading a video frame of a sailboat off a city beach

And the color grade is applied to the video.

Choose Export>Render Video to get the video out of Photoshop.

Color graded video of a sailboat at sunset in Photoshop with the timeline

ACR Tip #4. Hidden Helpers

Tip 4 Hidden Helpers title over a black and white sharpening mask view of a marina

Helpers are things that help us visualize our adjustments as we are working.

Marina at sunset with docked boats and houses reflected in the water, open in Camera Raw

The hidden key is the Alt (Windows) Option (Mac) key. When you make adjustments to the whites, hold down alt/option as you move the slider to see where the image will clip and lose detail/

Holding Alt or Option on the Whites slider at +100, showing clipped highlights in the sky

See how the detail is gone.

Marina photo with the sky blown out from Whites at +100, circled in yellow

Same with the Blacks. Hold alt/option to see the dark areas that are too dark and lose detail.

Blacks clipping view in Camera Raw, holding Alt or Option to see areas that are too dark

This tips works on all the highlighted Adjustments.

Camera Raw Exposure, Highlights, Shadows, Whites and Blacks sliders highlighted in yellow

Not only that, there’s more. This trick also works really well on sharpening.

Camera Raw Detail panel with Sharpening, Radius, Detail and Masking highlighted

Here is is at work on the Sharpening Masking. Watch the video at the top to see it in action and get an explanation of the 4 sharpening sliders.

Sharpening Masking preview in Camera Raw showing edges in white on black over the marina

ACR Tip #5 Using Color LUTS in Camera Raw

Tip 5 Color LUTs in ACR title over a Yosemite valley photo and a list of LUT files

This one is pretty huge. You can use actual LUTS in Camera Raw as well as Lightroom. Spoiler, if you want to use them in Lightroom, you have to actually create them in Camera Raw like we are about do do. You can’t do it directly in Lightroom. Also when you create a preset or profile in Camera Raw it will also be available in Lightroom and vice versa.

Choose the Preset button

Camera Raw Presets panel showing a list of user presets

Normally you click the new preset button to make a new preset. Here is the hidden hack.

Hold down Alt/Option as you click create preset.

Create Preset button highlighted in the Camera Raw Presets panel

Instead of a new preset being created, create Profile comes up.

Give it a name

Create Profile dialog in Camera Raw, opened by holding Alt or Option

Look to the bottom of the panel and click Color Look Up Table

Color Lookup Table option in the Camera Raw Create Profile dialog with Load .cube File

When you click, the finder (windows explorer) pops up. YOu can now load any LUT that is in the CUBE format. How to make LUTS in Photoshop

You can also use the set that comes with Photoshop under applications>Photoshop>Presets>3DLUTs

Choose one and click load.

Click ok to create the profile.

Finder window of 3DLUT files at Applications, Photoshop, Presets, 3DLUTs on a Mac

Using the LUT in ACR

Ok, let’s use theLUT we just loaded int a profile.

Yosemite valley at sunset with golden light on the cliffs, open in Camera Raw

Click the profile browser (the 4 squares).

Profile browser button next to Camera Standard in the Camera Raw Edit panel

Find our profile and click on it to apply

Custom LUT profile applied to the Yosemite valley photo in Camera Raw

You will see an amount slider where you control the intensity of the LUT

PSCtest LUT profile in Camera Raw with the Amount slider lowered to 34

Choose other LUTs if you prefer.

Yosemite valley photo with a different, cooler LUT profile applied in Camera Raw

If you would like some free LUTs, presets and profiles, download then for free here
If you receive our newsletter, don’t sign up again, open any newsletter and click the direct link to the vault from there to instantly download.

Free Photoshop Vault banner with blend modes e-book, actions, cloud pack, brushes, LUTs and presets

I hope you enjoyed these tips and found them useful.

It’s a taste of what’s included in my new course Adobe Camera Raw for Digital Photographers

Don’t forger to browse our hundreds of free Photoshop, ACR and Lightroom tutorials here at the cafe

Great to see you here at the CAFE

Colin


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2 comments

  1. Vartkes

    IN Windows 11, the LUTs live in the following location.
    C: > Program Files > Adobe > Adobe Photoshop 2023 > Presets > 3DLUTs

  2. Rosemarie Culver

    LUTS were completely new to me and also masking of Sky to make adjustments. Will be incorporating both in my workflow. I really like your short tutorials. Much easier to learn that way.

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