How to Make Photos look better in Camera RAW

Colin Smith

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This Photoshop tutorial shows you how to use the powerful Camera RAW, to apply all kinds of adjustments and enhancements to your photos. Learn how to work with color, tone and understand what the most important sliders do. You will keep coming back to this tutorial, because it will make all your photos look better.

This is the image we will be using, I shot this recently with a Sony A7III during blue hour.

Blue hour harbor photo of boats reflected in still water, open in Camera Raw before edits

Before we begin, we will be using the basic Panel in Camera Raw to do the heavy lifting.

Basic panel in Camera Raw outlined in red, with white balance, tone and presence sliders

We are going to separate color from tone, for the sake of understanding what’s happening.

In the basic panel, these are the sliders that affect tone, a.k.a. Luminance (Grayscale stuff)

The other 4 sliders are the color sliders. Let’s go..

Camera Raw tone sliders from Exposure to Dehaze outlined in red, separate from the color sliders

1. Click on B&W to change the image to black and white. I don’t always do this, but its good to see what’s happening in the tomes without the distraction of color.

B&W button clicked in the Camera Raw Edit panel to view the photo in black and white

Harbor photo converted to black and white in Camera Raw to judge tones without color

2. Start with the exposure to set the overall brightness.

Exposure raised in Camera Raw, brightening the black and white harbor photo

3. Now, use the shadow and highlight sliders to recover details in the shadows and highlights.

Move shadow to the right and highlight to the left. Now the shadows aren’t as dark and the highlights aren’t as bright, this lets us see more details.

Shadows raised and Highlights lowered in Camera Raw, revealing more detail in the harbor photo

4. Click on BW to put it back into color.

B&W button in Camera Raw clicked again to switch the photo back to color

You can see the difference already.

Harbor photo back in color in Camera Raw, already brighter with more detail

5. Now that we have recovered the highlights, it’s possible some of the whites are milky and need to be cleaned up. The Whites Slider accomplishes this. Tip: old down the alt/Option ket to see the highlight clipping when doing this.

Holding Alt or Option on the Whites slider in Camera Raw to show clipping on a black screen

6. Do the same thing for the blacks, move the slider to the left to bring back in the blacks, this will add contrast and body to the image. (Alt/option key works here too).

Blacks slider moved left in Camera Raw, adding contrast and body to the blue hour harbor photo

Texture, Clarity and Dehaze are the Presence sliders.

Reduce the texture, so the water look smoother. Compensate by increasing the Clarity a little bit, this adds edge definition (explained on the video at the top of this page).

7. Adjusting the color

Now we are going to tackle color. Move the temperature slider a little to the left to enhance the blue hour look.

Temperature moved toward blue in Camera Raw to enhance the blue hour look of the boats

8. Choose HSL. (Hue, Saturation and Luminance)
  • Hue: Color (Red, Green, orange etc).
  • Saturation: Amount of Color
  • Luminance: Brightness under the color.

Choose Luminance and darken the Blues, Purples andMagentas to add more depth and body to the colors. Watch the video to see how and why I move each slider.

Camera Raw Color Mixer luminance with Blues, Purples and Magentas darkened for richer color

In a nutshell, thats how to do the basic adjustments to make a photograph pop.

Here is the final photograph, click on it for full size.

Check out how to use Masks in Lightroom and Camera RAW to go even further.

Finished blue hour photo of yachts reflected in a pink and purple harbor, edited in Camera Raw

Thanks for checking out this tutorial

Great to see you here at the CAFE

Colin


Follow along for more tips

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8 comments

  1. John Day

    Great break down Colin of color and tone. Helped me appreciate the HSL tabs more.

  2. LOUIS e AGOSTINI

    Always great presentation… many thanks…. the color ideas and directions were great

  3. Mary C

    Really like your approach with this section of the update to PS. Very useful and easy to understand. Thanks, Colin.

  4. MenonCGN

    I was looking for a tutorial on Camera Raw and I got this. Very good tutorial. Hope similar tutorials on the other tools in Camera Raw will also be published.

  5. Glenn Smith

    Your separation of tone and color is essentially the same as working in LAB colorspace

  6. I learned a lot from your blog and most of all thank you for explaining in such a beautiful way.

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