Dodge and Burn Photos in Photoshop with the Adjustment Brush

Colin Smith

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Advanced tutorial for Photoshop Adjustment Brush, Dodge and Burn

To dodge and burn is to paint with light and shadow. By doing this, we can add depth to photos. We can also use it to tame the light in certain areas of image, or change the emphasis of what people mostly notice in the image.

This is a follow up to the Adjustment Brush Basics in Photoshop tutorial, where a lot of people indicated they wanted a more in depth look at this adjustment tool

Currently, the adjustment brush is only found in the Public Beta Version of Photoshop

How to use the adjustment brush

Choose the Adjustment Brush for the toolbar.

Brush tool flyout with the Adjustment Brush Tool selected

Set the adjustment to Brightness contrast

Adjustment Brush options menu with Brightness/Contrast checked and outlined

Once to click on the image, or begin painting the tool is activated.

Adjustment Brush cursor over a pink sunset sky

You will see a new Adjustment Layer with a mask.
(This is the same adjustment layer if you added it from the layers panel, its just a simpler way of getting there).

Layers panel with a new Brightness/Contrast layer and black mask

Turn the brightness all the way up so we can easily see the adjustments. Don’t worry, you can reduce this later if you prefer a more subtle adjustment.

Brightness set to 150 and outlined in the Brightness/Contrast properties

Brush settings

Let’s look at brush settings, including pen pressure for a Wacom, Xencelabs or Microsoft Surface type stylus. (The tutorials still works with a mouse, just not the pen pressure settings).

If you click the icon to the left of Opacity, pen pressure controls brush size.

Pen pressure for size button circled in the brush options bar

 

Sunset over the ocean with bright brush strokes painted across the water

If you click the icon to the right of the opacity you can control opacity with pen pressure.

Pen pressure for opacity button circled in the brush options bar

This enables you to blend in the adjustments because you can shade like a pencil, adding more density by pressing harder.

Soft, shaded brush strokes on the sunset sky using pen pressure

If you want more advanced settings choose Window>Brush Settings

Shape Dynamics changes size, Transfer controls opacity with pen pressure.

For dodge and burn (painting with shadow and highlights) I like to use pen pressure for opacity and turn off size.

Brush Settings with Shape Dynamics and Transfer outlined

One more adjustment, lower the flow to around 7%

Brush options with Flow at 100 percent outlined

Brush Flow lowered to 8 percent

How to Dodge and Burn

Burn is to darken shadow areas and to Dodge is to brighten the highlight areas, or add highlights, I think of this as adding light.

You will lighten the areas facing the light source

Coastal sunset with the light source circled and arrows on the sides facing the light

You will darken the areas that are shaded from the light source

Shaded side of the rocky point circled with arrows showing where to burn

Tip for Brush Size, Control+Option+Drag your cursor to change brush size and softness. (Alt+Dight Drag on Windows). Or use the square bracket keys  [ and ] keys change brush size, add the Shift key to change softness.

Brush resize shortcut Alt+Right Drag on Windows and Ctrl+Option+Drag on Mac

Dodging and Burning

Lets start with Dodge, or lighten.

Paint the areas you want to lighten.

Brush painting light onto the clouds near the sunset

Here is the image with the light areas painted (you can see it in action on the video at the top).

Coastal sunset with dodged highlights and the adjustment layer visible

Hiding the Adjustment layer, shows you the before image.

Adjustment layer hidden to show the before view

Burning the image (Darken)

Let’s paint some shadows.

Click the background

Layers panel with the painted Brightness/Contrast mask above the Background

With the Brightness / Contrast still selected and the Adjustment brush the selected tool,

Click to add a new adjustment layer

Turn the brightness all the way down

Second Brightness/Contrast layer with Brightness at -150 for burning

Paint in the shadow areas.

Shadows painted onto the rocks with the burn layer, settings outlined

Reusing your masks

Lets create a new Exposure adjustment, just to show how easy it is to reuse your work.

Choose exposure

Adjustment Brush menu with Exposure outlined

As soon as you click on the image a new Adjustment layer is created.

We want the same brush settings we used on the highlight area, but don’t want to have to paint it again.

New Exposure layer with an empty black mask over the coastline

Here is a trick. Hold down Alt/Option and drag your highlight  Mask into the Exposure layer mask

Alt or Option dragging the highlight mask onto the Exposure layer mask

The mask will be duplicated and added to the exposure.

If we hide the highlight area, we will see that the exposure can now be used to control the effect of the brushwork.

If you wanted to tint the color, such as warm uo the highlights, do the same thing, use a Photo filter of hue saturation adjustment.

Exposure raised to +2.46 using the copied highlight mask

Trick for straight lines

It can take a steady hand and some patience, to paint these columns at Petra.

As soon as you begin dragging down with your brush, hold the Shift key and it will constain the movements in the direction you are moving the brush.

Treasury at Petra carved in pink sandstone with an Exposure layer, labeled Shift

This makes it easy to get the highlights on one side of the pillar.

Highlights painted down the Petra columns with straight Shift strokes

Repeat for the other side of the pillars with a darkened adjustment to darken them

Shadows painted on the other side of the Petra columns

To make the shadows blend a bit more, drop the flow to 2%

Brush Flow lowered to 2 percent for blending

Paint over the shadows to blend them in more.

Final Treasury at Petra with dodged and burned columns and two Exposure layers

When you are done, you can adjust the opacity of the adjustment layers to tone down the adjustments a bit, for a more natural result,

I hope you found this tutorial useful.

Check out another of our 700 free Photoshop tutorials here at the cafe

Great to see you here at the CAFE

Colin

PS: Get over $200 worth of valuable Photoshop Add ons, brushes, presets, cheat sheets and ebooks abolulutely free, right here. 


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1 comment

  1. I think the majority of you viewers, myself included, don’t have tablets and pressure sensitive pens. Maybe you can do another video showing how to dodge and burn using a mouse?

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