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How to make portraits look amazing…
Master Portrait Artist Jane Conner-ziser shares her abundant knowledge and experience in pro portrait retouching with you in this full, all-inclusive learning experience, Portrait Retouching For Everyone. Far beyond Tips and Tricks (but including many), you will learn how to recompose images, cut out hair, work on clothing and backgrounds … in addition to SKIN, SKIN, SKIN techniques on everything from blemishes to braces, PLUS eye enhancements, color work, swapping heads, removing glass glare – everything you will experience when photographing people of all ages in a variety of popular styles. Jane’s personal techniques, self developed in the early years of digital to replicate fine art retouching of traditional media are emulated by thousands of professional photographers and digital retouching artists worldwide through her seminars, lectures and educational products.
This downloadable course contains 13 hours of brand new sharp video. All the lesson files are included, so you can follow along at your own pace!
“I’ll have to say that your teaching method is one of the best that I have seen. Easy to follow and understand and can see all your settings on screen. Your humor and knowledge is a big plus too.” Larry Simpson
Lessons Include:
Retouching Theory, Practice and Application
Workspace Set Up
Wacom Tips and Techniques
Retouching Tools and Options
Corrective Skin Smoothing Filter
Fine Skin Finishing Filter
Dodge and Burn Tools
Spot Healing Brush, Healing Brush,
Painting With Light
Color Enhancement
Eye Enhancement
How to Retouch Basic Skin
How to Retouch Wrinkles
How to Retouch Acne
How to Retouch Oily skin
How to swap backgrounds
How to use Layers and Smart Filters
How to use the Pen Tool
How to refine masks
How to “cut out” hair
How to combine two images
+Much more
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I just want to let you know how much I use and appreciate the info from your e-mails and website. I often print copies of useful tips and tutorials from the many, many Photoshop sources around the internet for later reference (a sort of “best-of-the-best” collection). I keep only the most useful ones in a large binder on my desk. My “collection” has grown steadily over the past year and yesterday it became obvious that I would need to start a new binder. As I glanced through my current collection, I was startled to find that about 80% of my best practices were from, you guessed it, Photoshop Café. Given the large number of sources that I monitor, this is HUGELY significant.
I obviously owe you a debt of gratitude. Thanks so very much for your enrichment of my Photoshop experiences and your promotion of the art.
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